It takes a village

“You urge me to make a new work from the old.”

St. Jerome to Pope Damasus I, 382 AD

The process of making this book rattled around in the back of my mind for several years. It was in August of 2017, after seeing the extraordinary Book of Kells at Trinity College Library in Dublin, that I became inspired to print the images of the paintings on goat vellum.

In 800 AD, animal skin was cheaper and more available than paper. Not so in 2018. It became clear early on that I was going to need assistance in creating this tome of an artbook.

The paintings and the writing took years. The making was accomplished through the artistry of many masterful craftspeople.

The process

Through a gifted bookmaking artist with an MFA in handmade bookmaking, I was connected to the contacts needed for making a leather-bound, letterpress-set, goat-vellum-printed work of art.

Once the paintings had been digitally photographed, they were ready for printing. I ordered complete goat skins from New York. A printmaking studio in Oakland, CA had the facility and equipment to print on goat vellum, a somewhat ornery material to print flat without distortion.

Then an artist who made handmade paper needed to be found, as well as the perfect letter font dies for the text, and the right press for setting the haikus in letterpress.

After the prints were completed, chemises (portfolios) to hold each of the eight images and their haikus were made: Japanese linen, Italian leather edging (each color corresponding to the archetype), and an interior lining that matched the leather. The text volume, All Is Chosen, was covered in the same linen and edged in a different leather color.

Finally, a box to house the eight chemises and the book of text itself was made: russet leather, with the title embossed in four layers of gold leaf, two each of white and yellow to add depth and richness.

It was, finally, complete.

John DeMerritt

John DeMerritt Bookbinding

Here is a series of four short videos I took on the day I went to pick up the two finished handmade books.

A compilation of my life’s work, the legacy I am leaving for those who might be interested .. you can perhaps imagine the feelings of anticipation and fulfillment that were welling up inside of me.

John DeMerritt is a master in his field. I am honored and deeply grateful to have had the opportunity to work with him. He magically brought to life my long-held vision, and executed his craftsmanship with not only respect but love and joy.

In the Studio

The following short videos were captured on the day I went to pick up the two finished handmade books. They offer a quiet glimpse into the craftsmanship, materials, and care that brought this work into form.

Explains Leather Edging

Gold Foil Embossing

Traditional Drape

The Book

The Vacuum Press

Printing on the Vellum

Tallulah Terryll

Magnolia Editions

Tallulah is yet another master artist with whom I had the honor to work. Her skill facilitated not only the laying out of the images on the goat skin, but also her keen sense of color in translating the tiff images onto the vellum was immaculate.

 

Calm, centered, focused and methodical, she made the very challenging task of transforming goat skins into art pieces appear effortless.

 

Her mastery brought the archetypes to life with the timeless quality of antiquity that only true vellum can radiate.

CONTINUE EXPLORING

A contemplative gallery of writings, paintings, and symbolic inquiry.

Books

Through poetry, reflection, and lived inquiry, Laura’s books invite a return to what has always been present, a quiet mind, an awakened awareness, and a deeper sense of purpose.

Art Prints

High-quality fine art prints of Laura Basha’s original paintings, created to preserve the depth, symbolism, and contemplative presence of the work.

Videos

Short, contemplative video reflections exploring what it means to be human, listening beyond thought, meeting life’s challenges with presence, and rediscovering peace beneath the noise.

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